Copyright 2005 Joseph H. Peterson. Last updated Jun 16, 2020.
History Of Magic Owl Quiz
History of Magic will reward the Knowledge attribute and is a bit different than the other classes. There is no shape tracing minigame. The expanding circle mini-game is replaced with the Sense Hexes activity (as seen in Defense Against the Dark Arts ) which involves tapping to screen at a steady rate to lift a scroll into a specified area. History of Magic: O Muggle Studies: O Potions: O Study of Ancient Runes: O Transfiguration: O Now to move into the realm of theory and assume Ron's OWL grades. Ron's OWLs Astoronomy: A Care of Magical Creatures: E Charms: E Defense Against the Dark Arts: E Divination: P Herbology: E History of Magic: P Potions: E Transfiguration: E Now to guess. History of Magic is a core class and subject taught at Hogwarts School of Witchcraft and Wizardry. This class is a study of magical history.1 This is one of the subjects where the use of magic practically is not necessary. History of Magic is taught from the first year to the fifth, and is completed with an O.W.L. Exam with only a written section.4 The professor of this subject, Cuthbert Binns.
The use of the magic wand can be traced back to proto-Indo-European times, as shown by its appearance in both Zoroastrianism as well the early Hinduism.
Zoroastrianism and the MagiThe magi of the ancient world were the priesthood of the Zoroastrian religion. As Plato noted, magic (mageia) refers to 'the Magian lore of Zoroaster' (Alchibiades 1.122).The baresman (Phl. barsom), or sacred bundle of twigs (or 'slenderwands'), is a ritual implement which has played an importantpart in Zoroastrian religious practices since prehistoric times.According to Kotwal and Boyd, the baresman is an 'ancientIndo-Iranian emblem of seeking the Holy', and it'establishes a connecting link between this getig [material]world and the menog [spiritual] realm. The barsom is, as it were,the conduit through which the archetypal principles and powersmanifest their presence and receive the offerings.'(A Persian offering, 1991, p. 6, 10; words in square bracketsare mine). It is also an instrument through which one acquires the sacred power (op. cit. p. 23). Perhaps then it is also a conduit for channeling the power outwards, and thus is a prototypical 'magic wand'. The baresman is traditionally made of tamarisk trigs, although in modern times metal rods have been substituted. Dino, a contemporary of Philip refers to the use of the barsom for divination, which is also supported by the Denkard. (Modi 1922, RCC, p. 280.) A stick with nine knots is used during the nine-nights' purification (barashnom). The knots are barriers against pollution and evil influences. (Vd9.14, compare Key of SolomonBook 2, chapters 4, 5, and 13.) In Zoroastrianism we also find the mace used. This is now referred to as gurz (from Avestan vazra, Sanskrit vajra.) It is used as a spiritual weapon to drive off evil. | 5th-4th century B.C. gold plaque showing a magusholding the baresman |
Egyptian, Greek, and Roman sources
This Harry Potter quiz, containing 20 questions, imitates the Ordinary Wizarding Level (O.W.L.) taken in the fifth year of Hogwarts schooling. You'll be tested on your magical knowledge ranging all kinds of different subjects. Pass grades are 'Outstanding', 'Exceeds Expectations' and 'Acceptable', while fail grades are 'Poor' and 'Dreadful'. Please feel free to leave a comment.
The use of the baresman by the magi was well known to Greek writers and is mentioned by Strabo and Phoenix of Colophon (280 B.C.), cited in Athenaeus. The magic wand was also known among the ancient Greeks and Romans.
Like the Zoroasrian magi, the ancient Roman Flamines or fire-priests, also carried such bundles of twigs in their hands. (Modi RCC, 1922, p. 280).
Pliny and Apuleius both attest to their use. Homer (in the Odyssey 11.14ff) and Virgil both describe the archetypical sorceress, Circe, as using a magical wand.The relevant passage in Virgil was noted by Agrippa in his Occult PhilosophyBook 1, chapter 41. It is also cited by Eliphas Levi Key of the Mysteries, part 4, chap 1.
Betz' collection of Greek and Demotic magical papyri has examples of spells which include the use of a wand or staff. The spell PGM I.42-195, for example has the magician 'hold a branch of myrtle . shaking it, [and salute] the goddess.' (Betz, p. 5)Similarly PGM II.22, II.65 (Betz p. 13, 14)
Iamblichus
Iamblichus (c. A.D. 250-325), one of the more important Neoplatonic philosophers, discussed magic in general in his On the Mysteries. In it he mentions the prophetess holding a staff or wand, invoking the divinity. (Mysteries of the Egyptians, chapter 7.) Agrippa also cites this passage in OP3.48.
The Grimoires
Early manuscripts of magic (grimoires) have many references to the use and importance of the wand in western magic. There are two similar ritual implements commonly described in magical literature:The staff (Latin baculus or bacculus; Italian bastone; French Le baton, bâton) and the wand (Latin Virga or virgulam; Ital. verga; German Stäbchen; French: La verge; In French manuscripts this is sometimes called viere, baguette, baguette magique, baguete, or bagette, also translated as rod).The staff is more the size of a walking stick; the wand is smaller and tapered:
The staff and the wand from Ad. 10862 (the 'Zecorbeni' manuscript), fol. 164v
According to the Key of Solomon (Book 2 chapter 8):'The staff should be of elderwood or cane, and the wand of hazel or nut tree, in all cases the wood being virgin, that is of one year's growth only. They should each be cut from the tree at a single stroke, on the day of Mercury (i.e. Wednesday), at sunrise. The characters shown should be written or engraved thereon in the day and hour of Mercury.'(Mathers tr. revised by JHP)
The magical symbols for the staff and wand according to Oxford ms. Aubrey 24, fol. 17v (1674)
from London, British Library ms. Add. 10862, fol. 122v (17th ce)
The magical symbols for the staff and wand according to BnF Ital. 1524, fol 232v. (1446. This is possibly the oldest-known manuscript of the Key of Solomon)
According to version F of the Almandal (cp Almadel), wands should be made of Anthyllis barba-jovis (Jove's beard) — an evergreen shrub native to the mediterranean region.They should be decorated with silk threads of appropriate color (green, white, red, or yellow).
According to the Sworn Book of Honorius (Chap CXXXII), the magician's wand or staff is made of laurel or hazel, likewise of one year's growth ('magister tenens baculum lauri vel coruli illius anni.').More details are provided in chapter CXXXIX:
'But the wand should have four sides. On one side should be written 'Adonay'; on the second side 'Sabaoth'; on the third, 'Hiskiros' (ισχυρος); on the fourth 'Emanuel.' On the middle of the wand, make the pentagon figure of Solomon, and where the wand is held, a cross, and thus it will be prepared for sacred and wonderful works.' (My translation, not in Royal ms).
This is collaborated and expanded on in the Clavicula manuscript from Gerald Gardner's library, which states:
'the wand [lacuna of 6 em spaces, probably 'hazel'] which should be at least eight or nine palms, whose end should be stripped on four sides. And those same four names of God should be written there, namely on the first side, Adonay; on the second, Sabaioth; on the third Ieschyruses; on the fourth, Emmanuel. In the middle, make this sign of mine, namely, the sigil. On the other end, where the hand holds it, make a cross.'
Very similar is the sceptrum (scepter) in manuscripts of the Pseudo-Bacon (Roger) treatise Thesaurus spirituum,which instructs that it should be of bay (laurel) wood, 'neere as bigg as your arme at the hand and it must be just a cubit longe, and the barke taken off it.' (Wellcome 110, fol. 8r).
Abognazar specifies two types of bâton are needed for magical operations: one for operations of Venus (made of elder), and another for all other operations calling for a bâton.
Bâton pour toutes les Opérations.
Bâton pour les Opérations de Venus.
History Of Magic Owl Answers
In Clavicules du Roi Salomon par Armadel, Livre III(Lansdowne MS. 1202), the 'key to the work' is a triangular wand made of hazel.
The Lesser Key of Solomon (Book 1: Goetia) recommends holding a hazel stick in the hand during the operation of Bileth, for upholding one's courage. This is based on Weyer 'baculum corili' (hazel staff). The passage in Reginald Scot translates baculum as 'bat', but it could mean rod, staff, or stick.
Why is gambling illegal in texas. In Le Grand Grimoire the main ritual implement is called la baguette mystérieuse, ou la Verge Foudroyante (the mysterious wand, or blasting rod) 'which causes the spirits to tremble; which God also used to arm his angel when Adam and Eve were driven out of the earthly paradise; wherewith, finally, he smote the rebellious angels, precipitating their ambitions into the most appalling gulfs by the power of this very rod -- of this rod which collects the clouds, disperses tempests, averts lightning, or precipitates each and all upon any portion of the earth at the pleasure of its director.' (tr. Waite, BCM)It is made of 'wild hazel which has never borne fruit; its length should be nineteen and a half inches' with a forked end and magnetized steel caps on the pointed ends.
According to Franz Bardon (1909-1958), one of the most important occultists and magicians of the twentieth century, 'the most important aid in ritual magic is, and always will be, the magic wand.'
Grillot de Givry (Witchcraft, Magic, and Alchemy, p. 308) shows a magical operation which features a 'wand of poplar-wood, 'half without bark'.'
Summary of woods used for magical wands
Acacia | According to Franz Bardon, 'the wood of an oak or an acacia, too, is an excellent material for making a magic wand.' |
Almond | This wood is specificed in the Book of the Sacred Magic of Abramelin the Mage. The wand of the magician may be made of any nut wood according to the Key of Solomon. According to Agrippa (OP1.26), almond and other woods of nut trees are associated with the planet Jupiter. Levi recommends the magic wand be made of almond or hazel. |
Anthyllis barba-jovis (Jove's beard) | According to version F of the Solomonic magic text Almandal. The wands should be wrapped with silk thread of appropriate color. |
Apple | Sacred to Jupiter (Agrippa, OP1.26).The druidic wizard Mannanàn Mac Lir carried a wand of apple ( Peter Berresford Ellis, A Brief History of the Druids, New York, Carroll & Graf, 2002, p. 249.). |
Ash | Sacred to Jupiter (Agrippa, OP1.26). According to Franz Bardon, a magic wand made of ash is especially to be used in healing people. Yates recounts details of an Irish 'fairy doctor' -- one whose mystical power is received from fairies -- who observed many traditional practices, including carrying a wand of ash during prayer. |
Bay | (See laurel.) |
Beech | Sacred to Jupiter (per Agrippa, OP1.26). |
Box | According to the Key of Solomon box and oak have 'some quality referring especially unto the spirits' of Jupiter. According to Agrippa (OP2.14) and the Magical Calendar, this is a sacred tree associated with the zodiacal sign of Libra and the Orphic deity Vulcan. |
Buckthorn | Sacred tree associated with the Zodiacal sign of Aquarius (MC). |
Cane (L. arundo donax) | The staff of the magician may be made of cane according to the Key of Solomon. |
Cedar | According to the Key of Solomon cornel and cedar have 'some quality referring especially unto the spirits' of Mars. |
Chestnut | Sacred tree associated with the Zodiacal sign of Leo (MC). |
Cornel | See dogwood. |
Cypress | Used to make a magic circle for the experiment of the Black Hen (Fr. poule noire, It. gallina nera) found in several grimoires. |
Dogwood (cornel) | According to the Key of Solomon cornel (dogwood) and cedar have 'some quality referring especially unto the spirits' of Mars. The Munich manual has a divination operation which uses a knife with a handle of dogwood (de cornu nigro uel albo).Sacred to Jupiter (Agrippa, OP1.26). Sacred tree associated with the Zodiacal sign of Scorpio (MC). |
Ebony | Ebony is named as the wood of Hermes in one ancient Greek spell (Faraone, p. 202.) This wood is specified by Trithemius in his treatise on invoking angels to appear in a crystal. The Egyptian king Nectanebus used a rod or wand of ebony along with magic formulae to animate models of his enemies and attack them. (Budge, 1930, p. 488; 1971, p. 92.) An Ebony wand is used in the Graeco-Egyptian spell PGM I.335 (Betz p. 12). |
Elder or elderberry (L. sambucus) | The staff of the magician may be made of elder according to the Key of Solomon. Grimorium Verum specifies a wand of elder should be used in preparing the parchment, and is also used in preparing the pentacles and magic rings. According to the method of Abognazar a special staff of elder is used for operations of Venus only. According to Franz Bardon, 'the wand made of elder-wood, proves, on account of its analogy to Saturn, especially efficient when calling up or evoking elemental spirits and demons.' |
Elm | Sacred tree associated with the Zodiacal sign of Pisces (MC). |
Fig, White | Sacred to Jupiter (Agrippa, OP1.26). |
Hazel | Multiple sources attest the use of Hazel for the magic wand, including the Key of Solomon, Weyer, Goetia, Grand Grimoire, and Levi. According to the Sworn Book of Honorius (Chap CXXXII), the magician's wand or staff is made of laurel or hazel. Per Agrippa, sacred to Mercury, and also to Jupiter (OP1.26 and OP1.29). According to MC this is a sacred tree associated with the zodiacal sign of Cancer. According to the Key of Solomon hazel has 'some quality referring especially unto the spirits' of Mercury. Grimorium Verum specifies wands of hazel and elder should be used in preparing the parchment. The Grand Grimoire includes a divining method using a hazel rod or wand. According to Bardon, 'hazelnut or willow are to be used for a wishing-wand. The wishing-wand is a modification of the magic wand.' |
Holly | Holly is the whitest of all woods, and has been used in making piano keys. It was considered sacred by the druids, and played a part in the magic of the Greeks and Romans. It was especially suitable for divination. In early Europe, holly and other thorny plants were believed to repel all evil spirits. (Gale, p. 2.) The same apotropaic properties were noted by Pliny the Elder (23-79 CE). |
Holm-oak | Sacred to Jupiter (per Agrippa, OP1.26). A rod of this material is used in the operation of the magic garters, according to Abognazar. |
Horse chestnut | Sacred to Jupiter, according to Agrippa (OP1.26). |
Juniper | According to the Key of Solomon juniper and pine 'some quality referring especially unto the spirits' of Saturn. |
Laurel | According to the Sworn Book of Honorius (Chap CXXXII), the magician's wand or staff is made of laurel or hazel. Wands of laurel are found in multiple spells in the Magical Papyri. Called 'Apollo's holy plant of presage' and 'Phoibos' mistress' (Betz pp. 15, 110, 112) A sprig of laurel held in the right hand is said to be a protective charm (PGM I, Betz op. cit. p. 10). Also used in Graeco-Egyptian spells PGM I.335, II.6, II.22 (Betz p. 12, 13). According to the Key of Solomon laurel has 'some quality referring especially unto the spirits' of the Sun. According to MC this is a sacred tree associated with the zodiacal sign of Gemini. On magical uses of laurel see also L. Deubner, Kleine Schriften zur Klassischen Altertumskunde (Königstein: Hain, 1982, p. 401-2.) According to Porphyry (On Images, fragment 8), laurel 'is full of fire, and therefore hated by daemons.' According to Pseudo-Bacon, the magical scepter must be made of a bay (laurel) tree.(Ad. 36674, fol. 73r; Sloane 3850, fol. 98v; Wellcome 110, fol. 8r.) |
Myrtle | According to the Key of Solomon myrtle has 'some quality referring especially unto the spirits' of Venus. Marvin Meyer's book Ancient Christian Magic includes a spell which involves a branch of myrtle held in the right hand (p. 272). The use of a Myrtle branch is also found in the Graeco-Egyptian spell mentioned above (Betz, p. 5.) According to MC this is a sacred tree associated with the zodiacal sign of Taurus. |
Oak | Sacred to Jupiter, according to Agrippa. According to the Key of Solomon box and oak have 'some quality referring especially unto the spirits' of Jupiter. According to Franz Bardon, 'the wood of an oak or an acacia, too, is an excellent material for making a magic wand.' |
Oleum | Sacred tree associated with Jupiter, according to Agrippa, OP1.26. |
Olive | Sacred to the Moon and Jupiter (Agrippa, OP1.24, OP1.26). Sacred tree associated with the Zodiacal sign of Aries (MC). Wands of olive are also found in the Greek Magical Papyri (e.g. Betz, p. 109.)According to Butler (p. 145) Casanova (1725-1798) used a magic wand made of olive wood, approximately 18 inches long. |
Palm | A twig of palm is held in the right hand during a ritual described in the Sixth and Seventh Books of Moses (T2).Sacred tree associated with the Zodiacal sign of Sagittarius (MC). |
Pear | Sacred to Jupiter (Agrippa, OP1.26). Sacred tree associated with the Zodiacal sign of Virgo (MC). |
Pine | According to the Key of Solomon juniper and pine 'some quality referring especially unto the spirits' of Saturn. According to MC this is a sacred tree associated with the zodiacal sign of Capricorn. |
Plum | Sacred to Jupiter (Agrippa, OP1.26). |
Pomegranate | This wood is also mentioned as acceptable for the baresman in Zoroastrian ritual. |
Poplar | Tree sacred to Jupiter, according to Agrippa.Grillot de Givry (Witchcraft, Magic & Alchemy, p. 308) shows a magical operation which features a 'wand of poplar-wood, 'half without bark'.' |
Quince | This wood is specified for the staff of the magician according to La Vera Clavicola del Re Salomone. |
Rosewood | Mathers included rosewood in his translation of the Key of Solomon, however this was a mistranslation of the French word 'roseau' (another word for cane or reed). |
Service tree | Sacred to Jupiter (per Agrippa, OP1.26). |
Tamarisk | Zoroastrian magi |
Walnut | The wand of the magician may be made of any nut wood according to the Key of Solomon |
Willow | According to the Key of Solomon willow has 'some quality referring especially unto the spirits' of the Moon. According to Bardon, 'hazelnut or willow are to be used for a wishing-wand. The wishing-wand is a modification of the magic wand. In making magic wands willow twigs may also be used for any type, for the willow is a very good fluid condenser.' Giordano Bruno's third image of Venus carries a willow wand (De Imaginum Compositione (1591) Book 2, ch 13. |
Wormwood | Used in Graeco-Egyptian spell PGM III.704 (Betz p. 36). |
Yew | Traditionally considered a sacred tree among the Irish, the yew deeply rooted in Irish folklore. It has long been known to have toxic properties. |
The length
Beringarius Ganellus, in Summa Sacre Magice (L.3.f.25) states that the wand should be 'the length of the master's arm, extended.'
According to the Clavicula manuscript from Gerald Gardner's library, the wand should be at least eight or nine palms in length.
According to Pierre Mora's edition of Les Véritables Clavicules de Salomon, the wand should be one and a half feet in length, and an inch thick. This accords well with Franz Bardon'sstatements that it should be between 3/8 and 3/4 inches in diameter, and about 12-20 inches long.
The Avesta mentions the greatest length of the baresman twigs is the height of a knee, though ancient art shows it approximately the length of the arm (see above). Modern barsoms are much shorter, as short as nine inches. Online casino bonus uk.
According to Abramelin, the wand (of almond wood) should be about a finger's width in thickness, and the length of your arm, measured from elbow to finger tip.
According to Ad. 36674, fol. 73r it should be in thickness 'neere as big as your arm at the hand, and it must be just a cubit long, and the barke taken away, and remain white without painting.'
The Grand Grimoire specifies a length of nineteen and an half inches.
Joseph Anton Herpentil, in his Epitome ofsupernatural magic, That is R. P. S. F. (1519) specifies the wand (or rod) should be 4 spans long.
Additional materials added to the wand
The literature includes some examples of adding materials to the wand to enhance certain characteristics. Here are some of the more commonly ascribed magical attributes of materials.
Aetites | Stone associated with Venus (Agrippa, OP1.28). |
Amber | Associated with Venus (Agrippa, OP1.28). |
Amethyst | Stone associated with Scorpio (MC). |
Beryl | Stone associated with Libra (MC). |
Birthwort | Sacred plant associated with the Zodiacal sign of Pisces (MC). |
Calamint | Sacred plant associated with the Zodiacal sign of Virgo (MC). |
Carbuncle | Stone associated with the Sun (MC). |
Carnelian | Stone sacred to Venus (Agrippa, OP1.28). |
Chalcedony | Stone associated with the zodiacal sign Cancer (MC). |
Chrisophrase | Stone associated with Capricorn (MC). |
Cock | Bird associated with Gemini (MC). |
Comfrey | Sacred plant associated with the Zodiacal sign of Cancer (MC). |
Copper | Metal associated with Venus (MC).According to Pseudo-Bacon, the magical scepter must have affixed to the end a lamin of copper with certain symbols on it. |
Coral | Associated with Venus (Agrippa, OP1.28). |
Crow | Sacred bird associated with the zodiacal sign of Sagittarius (MC). |
Crystal | Stone associated with Mercury and with Aquarius(MC). |
Cyclamen | Sacred plant associated with the Zodiacal sign of Leo (MC). |
Date palm | used to bind the tamarisk wands of the magi. |
Dock | Sacred plant associated with the Zodiacal sign of Capricorn (MC). |
Dove | Bird associated with Venus and with Taurus (MC). |
Dragonwort | Sacred plant associated with the Zodiacal sign of Aquarius (MC). |
Eagle | Bird associated with Jupiter and Leo (MC). |
Emerald | Stone associated with Venus and Virgo (Agippa, OP1.28, MC). |
Garlic | Sacred plant associated with the Zodiacal sign of Libra (MC). |
Gold | Metal associated with the Sun (MC). |
Goose | Sacred bird associated with the zodiacal sign of Libra (MC). |
Granite | Stone associated with Saturn (MC). |
Heliotrope | Herb associated with the Sun (MC) |
Heron | Sacred bird associated with the zodiacal sign of Capricorn (MC). |
Ibis | Sacred bird associated with the zodiacal sign of Cancer (MC). |
Iron | Metal associated with Mars (MC). Levi recommends a core of magnetized iron. |
Jacinth | Stone associated with Sagittarius (MC). |
Jasper | Stone associated with Venus (Agrippa, OP1.28), or Leo (MC). |
Jove's Beard | (Silver-leaved Woodblade plant) Herb associated with Jupiter (MC). |
Lapis Lazuli | Stone associated with Venus (Agrippa OP1.28). |
Lapwing | Bird associated with Saturn (MC). |
Lead | Metal associated with Saturn (MC). |
Maidenhair | Herb associated with Venus (MC) |
Metal | Grand Grimoire recommends metal caps. |
Monkshood | Herb associated with Mars |
Owl | Bird associated with the Moon and with Aries (MC). |
Peacock | Sacred bird associated with the zodiacal sign of Aquarius (MC). |
Pimpernel | Sacred plant associated with the Zodiacal sign of Sagittarius (MC). |
Ruby | Stone associated with Mars (MC). |
Sage | Sacred plant associated with the Zodiacal sign of Aries (MC). |
Sapphire | Stone associated with Venus (Agrippa, OP1.28), also with the Moon and with Pisces(MC). |
Sard | Stone associated with Taurus (MC). |
Sardonyx | Stone associated with Aries (MC). |
Selenotrope | Herb associated with the Moon (MC) |
Sempervivum | Herb associated with Saturn (MC) |
Silk threads | Colored silk threads are to be added to wands per Almandal |
Silver | Metal associated with the Moon (MC). |
Sparrow | Sacred bird associated with the zodiacal sign of Virgo (MC). |
St. John's Wort | Sibly specifies that this be bound to the top of the wand for use in necromantic operations. (p. 1106) |
Stork | Bird associated with Mercury (MC). |
Swan | Bird associated with the Sun and Pisces(MC). |
Tin | Metal associated with Jupiter (MC). |
Topaz | Stone associated with Jupiter and with Gemini(MC). |
Tuthia | Gem stone associated with Jupiter (Agrippa). |
Vervain (Bending) | Sacred plant associated with the Zodiacal sign of Gemini (MC). Vervain was sacred and carried in religious processions according to several ancient writers (cf. Meyer & Smith, Ancient Christian Magic, p. 63.) |
Vervain (Upright) | Sacred plant associated with the Zodiacal sign of Taurus (MC). |
Vulture | Bird associated with Mars (MC). |
Woodpecker | Sacred bird associated with the zodiacal sign of Scorpio (MC). |
Wormwood | Sacred plant associated with the Zodiacal sign of Scorpio (MC). |
Other elements
Bark | Half of the wand is left covered with bark in the method cited by de Givry. |
Letters | Trithemius specifies that the wand should have certain Hebrew characters written in gold. |
Magical symbols | The Greek Magical Papyri directs the magician to write the sacred or mystical names of gods or angels on the wand (for example see Betz p. 14). See Key of Solomon for magical symbols for the wand. |
How to use the magic wand
Most magic texts agree that the wand should be held in the right hand while praying, or while calling or addressing spirits. Christopher A. Faraone gives an ancient Greek spell wherein the divinity or spirit is invoked while holding a branch of laurel in the right hand, and an ebony staff in theleft. When dismissing the spirits, the hands are switched. (Compare Meyer, p. Casino moons mobile. 272.)This also has a parallel in PGM I.335 (Betz p. 12).In this use it is primarily used as a defensive weapon.It is used to strike the bowl in some divination methods.In Zoroastrian ritual the gaze and the ritual power ('amal) is focussed on the barsom.It is also held in the right hand.
References
Abognazar, | Les Véritables Clavicules de Salomon, traduites de l'Hebreux en langue Latine par le Rabin Abognazar. London, British Library, Lansdowne Mss. 1203. |
Abramelin | Abraham of Worms, The Sacred Magic of Abramelin the Mage, edited by S. L. Mathers(London, J.M. Watkins, 1900.) |
Agrippa | Occult Philosophy (London, Moule, 1651). |
Bardon, Franz, | Practice of Magical Evocation (Merkur, 2001) |
Betz, Hans Dieter | The Greek Magical Papyri in Translation, including the Demotic Spells,Second Edition (Chicago, Univ of Chicago Press, 1992) |
Budge, | Amulets and Talismans, (New York, Macmillan, 1930, p. 488; EM, p. 92.) |
Budge, | Egyptian Magic (London, 1901/reprint New York, Dover, 1971, p. 92): ebony rod. |
Butler, E. M., | Ritual Magic (Cambridge, 1949, reprint Hollywood, Newcastle, 1971.)She cites (p. 122) Cellini's account of ritual magic (circa 1533) along the lines of the grimoires, including the use of a wand. |
Ellis, Peter Berresford | A Brief History of the Druids(New York, 2002) |
Faraone, Christopher A., | Magika Hiera: Ancient Greek Magic and Religion (New York, Oxford, 1991, p. 177.) |
Gale, Fred, | Hollies: The Genus Ilex (Portland, Timber Press, 1997) |
De Givry, Emile Grillot | Witchcraft, Magic, and Alchemy |
Grand Grimoire | Le Grand Grimoire (Paris, B. RENAULT, 1845) |
Grimorium Verum | Grimorium Verum (Ed. Peterson, 2007) |
Herpentil, Joseph Anton | Inbegriff der übernatürlichen Magie ('Epitome of supernatural magic') (1519)reprinted in J. Scheible, Das Kloster, Bd. 3, pp. 626-633. |
Honorius, Sworn Book of | Ed. Peterson, Lake Worth, Fl : Ibis Press, 2016. |
Iamblichus | On the Mysteries, part 2, and part 3. |
Key of Solomon | See Mathers. Also ad36674.htm. |
Levi, Eliphas, | Transcendental Magic (Dogma et Rituel de la Haute Magie). |
Mathers, S. L., | The Key of Solomon the King, Book 2, chapter 8 and passim. (London, George Redway. 1889.) |
MC: | Magical Calendar, ed. Adam McLean (Grand Rapids MI, Phanes, 1994). |
Meyer, Marvin, | Ancient Christian Magic (1999). |
Modi, Jivanji Jamshedji. | The Religious Ceremonies and Customs of the Parsees. Bombay: British Indian Press, 1922. |
Mora, Pierre, | Les Véritables Clavicules de Salomon, tr. par Pierre Mora, contenant un grand nombre de figures cabalistes, avec la manière de les faire suivant les principes de la science occulte des plus fameux nécromanciens qui ont vécu après Salomon, et où l'on trouvera les plus rares secrets. 153 pages. Paris, H. Daragon, 1914. |
Peterson, J. (editor, translator), | Secrets of Solomon: A Witch's Handbook from the trial records of the Venetian Inquisition (2018). |
Peterson, J. (editor), | Sixth and Seenth Books of Moses (2008) |
Scot, Reginald, | Discoverie of Witchcraft (London, 1584) |
Sibly, Ebenezer, | A New and Complete Illustration of the Occult Sciences, Book 4. (Bristol, 1704.) |
Sl. 3847: | London, British Library, Sloane manuscript 3847. |
Trithemius | (or pseudo-trithemius) his treatise on invoking angels into a crystal in F. Barrett, The Magus. |
Véronèse, Julien, | L'Almandal et l'Almadel latins au Moyen Âge, Firenze, Sismel: 2012 |
Waite, A.E. | Book of Ceremonial Magic |
Yates, William Butler, | Treasury of Irish Myth, Legend & Folklore (New York, Gramercy Books, 1986, p. 147.) |
Dijon is one of the oldest cities in France, and one of the most storied cities as well. The former home to the Dukes of Burgundy is now the capital of a well-established wine region, and is also home to world-renown cooking and food. Dijon, however, also has a more surreal side, with one of its oldest buildings, the Church of Notre-Dame of Dijon having not one, but two sculptures reputed to have magic or mystical powers. The first, the Notre-Dame de Bon-Espoir (Our Lady of Good Hope) is located in the church, and is one of the oldest, if not the oldest statues of the Virgin Mary in France, dating to around the eleventh or twelfth century. Over the centuries, many miracles have been attributed to the statute, which remains a popular pilgrimage point.
The second statute is located outside the church, and is approximately six feet off the ground and is a small (now somewhat melted) sculpture of an owl. While this type of sculpture may sound unassuming and common at first, it is important for innumerable reasons to the citizens of Dijon. The first reason it is is important is because the owl as a symbol is literally the symbol of the city. https://truevfil210.weebly.com/casino-bonus-blaster.html. The second reason is that this tiny owl is part of a mystery. While the Church of Notre Dame of Dijon was constructed in the thirteenth century, this owl was not part of the original structure. It appears that the Owl was added around the sixteenth century when a more modern portion of the church was constructed. Having said that, no one knows why it was added- or whom added the owl. While this may seem like a commonplace historical mystery - after all, in many cases, the original craftspeople of many structures have slipped through the cracks of history - this mystery takes on an added element given the reputation of this particular owl carving.
Although the origins of the myth are not known, what is known is that this owl carving is reputed to have magic powers. In particular, it is rumored that if one touches the Owl with their left hand and wishes, the wish will come true. Because of the immense popularity of the myth, and the length of time it has been around, the Owl has become weathered, worn, and now looking as I noted above, somewhat melted. Despite the Owl's erosion problems from the wear and tear of thousands of hands, the myth - and the rumors of magic persist.
Directions: The church is located at 2 Place Notre Dame, 21000 Dijon, France. The Owl is located on the North side of the church, about halfway along the length of the structure, and is near the cross street of Rue de la Chouette, which is a pedestrian walkway. Travelers to the city will be able to find the owl by first the crowd of people; and second, by the security cameras that are nearby it, as a party attempted to deface the Owl in 2001. One can visit the Owl at whatever time one wants throughout the year, and of course, can wish for what one wants as well.
Like the Zoroasrian magi, the ancient Roman Flamines or fire-priests, also carried such bundles of twigs in their hands. (Modi RCC, 1922, p. 280).
Pliny and Apuleius both attest to their use. Homer (in the Odyssey 11.14ff) and Virgil both describe the archetypical sorceress, Circe, as using a magical wand.The relevant passage in Virgil was noted by Agrippa in his Occult PhilosophyBook 1, chapter 41. It is also cited by Eliphas Levi Key of the Mysteries, part 4, chap 1.
Betz' collection of Greek and Demotic magical papyri has examples of spells which include the use of a wand or staff. The spell PGM I.42-195, for example has the magician 'hold a branch of myrtle . shaking it, [and salute] the goddess.' (Betz, p. 5)Similarly PGM II.22, II.65 (Betz p. 13, 14)
Iamblichus
Iamblichus (c. A.D. 250-325), one of the more important Neoplatonic philosophers, discussed magic in general in his On the Mysteries. In it he mentions the prophetess holding a staff or wand, invoking the divinity. (Mysteries of the Egyptians, chapter 7.) Agrippa also cites this passage in OP3.48.
The Grimoires
Early manuscripts of magic (grimoires) have many references to the use and importance of the wand in western magic. There are two similar ritual implements commonly described in magical literature:The staff (Latin baculus or bacculus; Italian bastone; French Le baton, bâton) and the wand (Latin Virga or virgulam; Ital. verga; German Stäbchen; French: La verge; In French manuscripts this is sometimes called viere, baguette, baguette magique, baguete, or bagette, also translated as rod).The staff is more the size of a walking stick; the wand is smaller and tapered:
The staff and the wand from Ad. 10862 (the 'Zecorbeni' manuscript), fol. 164v
According to the Key of Solomon (Book 2 chapter 8):'The staff should be of elderwood or cane, and the wand of hazel or nut tree, in all cases the wood being virgin, that is of one year's growth only. They should each be cut from the tree at a single stroke, on the day of Mercury (i.e. Wednesday), at sunrise. The characters shown should be written or engraved thereon in the day and hour of Mercury.'(Mathers tr. revised by JHP)
The magical symbols for the staff and wand according to Oxford ms. Aubrey 24, fol. 17v (1674)
from London, British Library ms. Add. 10862, fol. 122v (17th ce)
The magical symbols for the staff and wand according to BnF Ital. 1524, fol 232v. (1446. This is possibly the oldest-known manuscript of the Key of Solomon)
According to version F of the Almandal (cp Almadel), wands should be made of Anthyllis barba-jovis (Jove's beard) — an evergreen shrub native to the mediterranean region.They should be decorated with silk threads of appropriate color (green, white, red, or yellow).
According to the Sworn Book of Honorius (Chap CXXXII), the magician's wand or staff is made of laurel or hazel, likewise of one year's growth ('magister tenens baculum lauri vel coruli illius anni.').More details are provided in chapter CXXXIX:
'But the wand should have four sides. On one side should be written 'Adonay'; on the second side 'Sabaoth'; on the third, 'Hiskiros' (ισχυρος); on the fourth 'Emanuel.' On the middle of the wand, make the pentagon figure of Solomon, and where the wand is held, a cross, and thus it will be prepared for sacred and wonderful works.' (My translation, not in Royal ms).
This is collaborated and expanded on in the Clavicula manuscript from Gerald Gardner's library, which states:
'the wand [lacuna of 6 em spaces, probably 'hazel'] which should be at least eight or nine palms, whose end should be stripped on four sides. And those same four names of God should be written there, namely on the first side, Adonay; on the second, Sabaioth; on the third Ieschyruses; on the fourth, Emmanuel. In the middle, make this sign of mine, namely, the sigil. On the other end, where the hand holds it, make a cross.'
Very similar is the sceptrum (scepter) in manuscripts of the Pseudo-Bacon (Roger) treatise Thesaurus spirituum,which instructs that it should be of bay (laurel) wood, 'neere as bigg as your arme at the hand and it must be just a cubit longe, and the barke taken off it.' (Wellcome 110, fol. 8r).
Abognazar specifies two types of bâton are needed for magical operations: one for operations of Venus (made of elder), and another for all other operations calling for a bâton.
Bâton pour toutes les Opérations.
Bâton pour les Opérations de Venus.
History Of Magic Owl Answers
In Clavicules du Roi Salomon par Armadel, Livre III(Lansdowne MS. 1202), the 'key to the work' is a triangular wand made of hazel.
The Lesser Key of Solomon (Book 1: Goetia) recommends holding a hazel stick in the hand during the operation of Bileth, for upholding one's courage. This is based on Weyer 'baculum corili' (hazel staff). The passage in Reginald Scot translates baculum as 'bat', but it could mean rod, staff, or stick.
Why is gambling illegal in texas. In Le Grand Grimoire the main ritual implement is called la baguette mystérieuse, ou la Verge Foudroyante (the mysterious wand, or blasting rod) 'which causes the spirits to tremble; which God also used to arm his angel when Adam and Eve were driven out of the earthly paradise; wherewith, finally, he smote the rebellious angels, precipitating their ambitions into the most appalling gulfs by the power of this very rod -- of this rod which collects the clouds, disperses tempests, averts lightning, or precipitates each and all upon any portion of the earth at the pleasure of its director.' (tr. Waite, BCM)It is made of 'wild hazel which has never borne fruit; its length should be nineteen and a half inches' with a forked end and magnetized steel caps on the pointed ends.
According to Franz Bardon (1909-1958), one of the most important occultists and magicians of the twentieth century, 'the most important aid in ritual magic is, and always will be, the magic wand.'
Grillot de Givry (Witchcraft, Magic, and Alchemy, p. 308) shows a magical operation which features a 'wand of poplar-wood, 'half without bark'.'
Summary of woods used for magical wands
Acacia | According to Franz Bardon, 'the wood of an oak or an acacia, too, is an excellent material for making a magic wand.' |
Almond | This wood is specificed in the Book of the Sacred Magic of Abramelin the Mage. The wand of the magician may be made of any nut wood according to the Key of Solomon. According to Agrippa (OP1.26), almond and other woods of nut trees are associated with the planet Jupiter. Levi recommends the magic wand be made of almond or hazel. |
Anthyllis barba-jovis (Jove's beard) | According to version F of the Solomonic magic text Almandal. The wands should be wrapped with silk thread of appropriate color. |
Apple | Sacred to Jupiter (Agrippa, OP1.26).The druidic wizard Mannanàn Mac Lir carried a wand of apple ( Peter Berresford Ellis, A Brief History of the Druids, New York, Carroll & Graf, 2002, p. 249.). |
Ash | Sacred to Jupiter (Agrippa, OP1.26). According to Franz Bardon, a magic wand made of ash is especially to be used in healing people. Yates recounts details of an Irish 'fairy doctor' -- one whose mystical power is received from fairies -- who observed many traditional practices, including carrying a wand of ash during prayer. |
Bay | (See laurel.) |
Beech | Sacred to Jupiter (per Agrippa, OP1.26). |
Box | According to the Key of Solomon box and oak have 'some quality referring especially unto the spirits' of Jupiter. According to Agrippa (OP2.14) and the Magical Calendar, this is a sacred tree associated with the zodiacal sign of Libra and the Orphic deity Vulcan. |
Buckthorn | Sacred tree associated with the Zodiacal sign of Aquarius (MC). |
Cane (L. arundo donax) | The staff of the magician may be made of cane according to the Key of Solomon. |
Cedar | According to the Key of Solomon cornel and cedar have 'some quality referring especially unto the spirits' of Mars. |
Chestnut | Sacred tree associated with the Zodiacal sign of Leo (MC). |
Cornel | See dogwood. |
Cypress | Used to make a magic circle for the experiment of the Black Hen (Fr. poule noire, It. gallina nera) found in several grimoires. |
Dogwood (cornel) | According to the Key of Solomon cornel (dogwood) and cedar have 'some quality referring especially unto the spirits' of Mars. The Munich manual has a divination operation which uses a knife with a handle of dogwood (de cornu nigro uel albo).Sacred to Jupiter (Agrippa, OP1.26). Sacred tree associated with the Zodiacal sign of Scorpio (MC). |
Ebony | Ebony is named as the wood of Hermes in one ancient Greek spell (Faraone, p. 202.) This wood is specified by Trithemius in his treatise on invoking angels to appear in a crystal. The Egyptian king Nectanebus used a rod or wand of ebony along with magic formulae to animate models of his enemies and attack them. (Budge, 1930, p. 488; 1971, p. 92.) An Ebony wand is used in the Graeco-Egyptian spell PGM I.335 (Betz p. 12). |
Elder or elderberry (L. sambucus) | The staff of the magician may be made of elder according to the Key of Solomon. Grimorium Verum specifies a wand of elder should be used in preparing the parchment, and is also used in preparing the pentacles and magic rings. According to the method of Abognazar a special staff of elder is used for operations of Venus only. According to Franz Bardon, 'the wand made of elder-wood, proves, on account of its analogy to Saturn, especially efficient when calling up or evoking elemental spirits and demons.' |
Elm | Sacred tree associated with the Zodiacal sign of Pisces (MC). |
Fig, White | Sacred to Jupiter (Agrippa, OP1.26). |
Hazel | Multiple sources attest the use of Hazel for the magic wand, including the Key of Solomon, Weyer, Goetia, Grand Grimoire, and Levi. According to the Sworn Book of Honorius (Chap CXXXII), the magician's wand or staff is made of laurel or hazel. Per Agrippa, sacred to Mercury, and also to Jupiter (OP1.26 and OP1.29). According to MC this is a sacred tree associated with the zodiacal sign of Cancer. According to the Key of Solomon hazel has 'some quality referring especially unto the spirits' of Mercury. Grimorium Verum specifies wands of hazel and elder should be used in preparing the parchment. The Grand Grimoire includes a divining method using a hazel rod or wand. According to Bardon, 'hazelnut or willow are to be used for a wishing-wand. The wishing-wand is a modification of the magic wand.' |
Holly | Holly is the whitest of all woods, and has been used in making piano keys. It was considered sacred by the druids, and played a part in the magic of the Greeks and Romans. It was especially suitable for divination. In early Europe, holly and other thorny plants were believed to repel all evil spirits. (Gale, p. 2.) The same apotropaic properties were noted by Pliny the Elder (23-79 CE). |
Holm-oak | Sacred to Jupiter (per Agrippa, OP1.26). A rod of this material is used in the operation of the magic garters, according to Abognazar. |
Horse chestnut | Sacred to Jupiter, according to Agrippa (OP1.26). |
Juniper | According to the Key of Solomon juniper and pine 'some quality referring especially unto the spirits' of Saturn. |
Laurel | According to the Sworn Book of Honorius (Chap CXXXII), the magician's wand or staff is made of laurel or hazel. Wands of laurel are found in multiple spells in the Magical Papyri. Called 'Apollo's holy plant of presage' and 'Phoibos' mistress' (Betz pp. 15, 110, 112) A sprig of laurel held in the right hand is said to be a protective charm (PGM I, Betz op. cit. p. 10). Also used in Graeco-Egyptian spells PGM I.335, II.6, II.22 (Betz p. 12, 13). According to the Key of Solomon laurel has 'some quality referring especially unto the spirits' of the Sun. According to MC this is a sacred tree associated with the zodiacal sign of Gemini. On magical uses of laurel see also L. Deubner, Kleine Schriften zur Klassischen Altertumskunde (Königstein: Hain, 1982, p. 401-2.) According to Porphyry (On Images, fragment 8), laurel 'is full of fire, and therefore hated by daemons.' According to Pseudo-Bacon, the magical scepter must be made of a bay (laurel) tree.(Ad. 36674, fol. 73r; Sloane 3850, fol. 98v; Wellcome 110, fol. 8r.) |
Myrtle | According to the Key of Solomon myrtle has 'some quality referring especially unto the spirits' of Venus. Marvin Meyer's book Ancient Christian Magic includes a spell which involves a branch of myrtle held in the right hand (p. 272). The use of a Myrtle branch is also found in the Graeco-Egyptian spell mentioned above (Betz, p. 5.) According to MC this is a sacred tree associated with the zodiacal sign of Taurus. |
Oak | Sacred to Jupiter, according to Agrippa. According to the Key of Solomon box and oak have 'some quality referring especially unto the spirits' of Jupiter. According to Franz Bardon, 'the wood of an oak or an acacia, too, is an excellent material for making a magic wand.' |
Oleum | Sacred tree associated with Jupiter, according to Agrippa, OP1.26. |
Olive | Sacred to the Moon and Jupiter (Agrippa, OP1.24, OP1.26). Sacred tree associated with the Zodiacal sign of Aries (MC). Wands of olive are also found in the Greek Magical Papyri (e.g. Betz, p. 109.)According to Butler (p. 145) Casanova (1725-1798) used a magic wand made of olive wood, approximately 18 inches long. |
Palm | A twig of palm is held in the right hand during a ritual described in the Sixth and Seventh Books of Moses (T2).Sacred tree associated with the Zodiacal sign of Sagittarius (MC). |
Pear | Sacred to Jupiter (Agrippa, OP1.26). Sacred tree associated with the Zodiacal sign of Virgo (MC). |
Pine | According to the Key of Solomon juniper and pine 'some quality referring especially unto the spirits' of Saturn. According to MC this is a sacred tree associated with the zodiacal sign of Capricorn. |
Plum | Sacred to Jupiter (Agrippa, OP1.26). |
Pomegranate | This wood is also mentioned as acceptable for the baresman in Zoroastrian ritual. |
Poplar | Tree sacred to Jupiter, according to Agrippa.Grillot de Givry (Witchcraft, Magic & Alchemy, p. 308) shows a magical operation which features a 'wand of poplar-wood, 'half without bark'.' |
Quince | This wood is specified for the staff of the magician according to La Vera Clavicola del Re Salomone. |
Rosewood | Mathers included rosewood in his translation of the Key of Solomon, however this was a mistranslation of the French word 'roseau' (another word for cane or reed). |
Service tree | Sacred to Jupiter (per Agrippa, OP1.26). |
Tamarisk | Zoroastrian magi |
Walnut | The wand of the magician may be made of any nut wood according to the Key of Solomon |
Willow | According to the Key of Solomon willow has 'some quality referring especially unto the spirits' of the Moon. According to Bardon, 'hazelnut or willow are to be used for a wishing-wand. The wishing-wand is a modification of the magic wand. In making magic wands willow twigs may also be used for any type, for the willow is a very good fluid condenser.' Giordano Bruno's third image of Venus carries a willow wand (De Imaginum Compositione (1591) Book 2, ch 13. |
Wormwood | Used in Graeco-Egyptian spell PGM III.704 (Betz p. 36). |
Yew | Traditionally considered a sacred tree among the Irish, the yew deeply rooted in Irish folklore. It has long been known to have toxic properties. |
The length
Beringarius Ganellus, in Summa Sacre Magice (L.3.f.25) states that the wand should be 'the length of the master's arm, extended.'
According to the Clavicula manuscript from Gerald Gardner's library, the wand should be at least eight or nine palms in length.
According to Pierre Mora's edition of Les Véritables Clavicules de Salomon, the wand should be one and a half feet in length, and an inch thick. This accords well with Franz Bardon'sstatements that it should be between 3/8 and 3/4 inches in diameter, and about 12-20 inches long.
The Avesta mentions the greatest length of the baresman twigs is the height of a knee, though ancient art shows it approximately the length of the arm (see above). Modern barsoms are much shorter, as short as nine inches. Online casino bonus uk.
According to Abramelin, the wand (of almond wood) should be about a finger's width in thickness, and the length of your arm, measured from elbow to finger tip.
According to Ad. 36674, fol. 73r it should be in thickness 'neere as big as your arm at the hand, and it must be just a cubit long, and the barke taken away, and remain white without painting.'
The Grand Grimoire specifies a length of nineteen and an half inches.
Joseph Anton Herpentil, in his Epitome ofsupernatural magic, That is R. P. S. F. (1519) specifies the wand (or rod) should be 4 spans long.
Additional materials added to the wand
The literature includes some examples of adding materials to the wand to enhance certain characteristics. Here are some of the more commonly ascribed magical attributes of materials.
Aetites | Stone associated with Venus (Agrippa, OP1.28). |
Amber | Associated with Venus (Agrippa, OP1.28). |
Amethyst | Stone associated with Scorpio (MC). |
Beryl | Stone associated with Libra (MC). |
Birthwort | Sacred plant associated with the Zodiacal sign of Pisces (MC). |
Calamint | Sacred plant associated with the Zodiacal sign of Virgo (MC). |
Carbuncle | Stone associated with the Sun (MC). |
Carnelian | Stone sacred to Venus (Agrippa, OP1.28). |
Chalcedony | Stone associated with the zodiacal sign Cancer (MC). |
Chrisophrase | Stone associated with Capricorn (MC). |
Cock | Bird associated with Gemini (MC). |
Comfrey | Sacred plant associated with the Zodiacal sign of Cancer (MC). |
Copper | Metal associated with Venus (MC).According to Pseudo-Bacon, the magical scepter must have affixed to the end a lamin of copper with certain symbols on it. |
Coral | Associated with Venus (Agrippa, OP1.28). |
Crow | Sacred bird associated with the zodiacal sign of Sagittarius (MC). |
Crystal | Stone associated with Mercury and with Aquarius(MC). |
Cyclamen | Sacred plant associated with the Zodiacal sign of Leo (MC). |
Date palm | used to bind the tamarisk wands of the magi. |
Dock | Sacred plant associated with the Zodiacal sign of Capricorn (MC). |
Dove | Bird associated with Venus and with Taurus (MC). |
Dragonwort | Sacred plant associated with the Zodiacal sign of Aquarius (MC). |
Eagle | Bird associated with Jupiter and Leo (MC). |
Emerald | Stone associated with Venus and Virgo (Agippa, OP1.28, MC). |
Garlic | Sacred plant associated with the Zodiacal sign of Libra (MC). |
Gold | Metal associated with the Sun (MC). |
Goose | Sacred bird associated with the zodiacal sign of Libra (MC). |
Granite | Stone associated with Saturn (MC). |
Heliotrope | Herb associated with the Sun (MC) |
Heron | Sacred bird associated with the zodiacal sign of Capricorn (MC). |
Ibis | Sacred bird associated with the zodiacal sign of Cancer (MC). |
Iron | Metal associated with Mars (MC). Levi recommends a core of magnetized iron. |
Jacinth | Stone associated with Sagittarius (MC). |
Jasper | Stone associated with Venus (Agrippa, OP1.28), or Leo (MC). |
Jove's Beard | (Silver-leaved Woodblade plant) Herb associated with Jupiter (MC). |
Lapis Lazuli | Stone associated with Venus (Agrippa OP1.28). |
Lapwing | Bird associated with Saturn (MC). |
Lead | Metal associated with Saturn (MC). |
Maidenhair | Herb associated with Venus (MC) |
Metal | Grand Grimoire recommends metal caps. |
Monkshood | Herb associated with Mars |
Owl | Bird associated with the Moon and with Aries (MC). |
Peacock | Sacred bird associated with the zodiacal sign of Aquarius (MC). |
Pimpernel | Sacred plant associated with the Zodiacal sign of Sagittarius (MC). |
Ruby | Stone associated with Mars (MC). |
Sage | Sacred plant associated with the Zodiacal sign of Aries (MC). |
Sapphire | Stone associated with Venus (Agrippa, OP1.28), also with the Moon and with Pisces(MC). |
Sard | Stone associated with Taurus (MC). |
Sardonyx | Stone associated with Aries (MC). |
Selenotrope | Herb associated with the Moon (MC) |
Sempervivum | Herb associated with Saturn (MC) |
Silk threads | Colored silk threads are to be added to wands per Almandal |
Silver | Metal associated with the Moon (MC). |
Sparrow | Sacred bird associated with the zodiacal sign of Virgo (MC). |
St. John's Wort | Sibly specifies that this be bound to the top of the wand for use in necromantic operations. (p. 1106) |
Stork | Bird associated with Mercury (MC). |
Swan | Bird associated with the Sun and Pisces(MC). |
Tin | Metal associated with Jupiter (MC). |
Topaz | Stone associated with Jupiter and with Gemini(MC). |
Tuthia | Gem stone associated with Jupiter (Agrippa). |
Vervain (Bending) | Sacred plant associated with the Zodiacal sign of Gemini (MC). Vervain was sacred and carried in religious processions according to several ancient writers (cf. Meyer & Smith, Ancient Christian Magic, p. 63.) |
Vervain (Upright) | Sacred plant associated with the Zodiacal sign of Taurus (MC). |
Vulture | Bird associated with Mars (MC). |
Woodpecker | Sacred bird associated with the zodiacal sign of Scorpio (MC). |
Wormwood | Sacred plant associated with the Zodiacal sign of Scorpio (MC). |
Other elements
Bark | Half of the wand is left covered with bark in the method cited by de Givry. |
Letters | Trithemius specifies that the wand should have certain Hebrew characters written in gold. |
Magical symbols | The Greek Magical Papyri directs the magician to write the sacred or mystical names of gods or angels on the wand (for example see Betz p. 14). See Key of Solomon for magical symbols for the wand. |
How to use the magic wand
Most magic texts agree that the wand should be held in the right hand while praying, or while calling or addressing spirits. Christopher A. Faraone gives an ancient Greek spell wherein the divinity or spirit is invoked while holding a branch of laurel in the right hand, and an ebony staff in theleft. When dismissing the spirits, the hands are switched. (Compare Meyer, p. Casino moons mobile. 272.)This also has a parallel in PGM I.335 (Betz p. 12).In this use it is primarily used as a defensive weapon.It is used to strike the bowl in some divination methods.In Zoroastrian ritual the gaze and the ritual power ('amal) is focussed on the barsom.It is also held in the right hand.
References
Abognazar, | Les Véritables Clavicules de Salomon, traduites de l'Hebreux en langue Latine par le Rabin Abognazar. London, British Library, Lansdowne Mss. 1203. |
Abramelin | Abraham of Worms, The Sacred Magic of Abramelin the Mage, edited by S. L. Mathers(London, J.M. Watkins, 1900.) |
Agrippa | Occult Philosophy (London, Moule, 1651). |
Bardon, Franz, | Practice of Magical Evocation (Merkur, 2001) |
Betz, Hans Dieter | The Greek Magical Papyri in Translation, including the Demotic Spells,Second Edition (Chicago, Univ of Chicago Press, 1992) |
Budge, | Amulets and Talismans, (New York, Macmillan, 1930, p. 488; EM, p. 92.) |
Budge, | Egyptian Magic (London, 1901/reprint New York, Dover, 1971, p. 92): ebony rod. |
Butler, E. M., | Ritual Magic (Cambridge, 1949, reprint Hollywood, Newcastle, 1971.)She cites (p. 122) Cellini's account of ritual magic (circa 1533) along the lines of the grimoires, including the use of a wand. |
Ellis, Peter Berresford | A Brief History of the Druids(New York, 2002) |
Faraone, Christopher A., | Magika Hiera: Ancient Greek Magic and Religion (New York, Oxford, 1991, p. 177.) |
Gale, Fred, | Hollies: The Genus Ilex (Portland, Timber Press, 1997) |
De Givry, Emile Grillot | Witchcraft, Magic, and Alchemy |
Grand Grimoire | Le Grand Grimoire (Paris, B. RENAULT, 1845) |
Grimorium Verum | Grimorium Verum (Ed. Peterson, 2007) |
Herpentil, Joseph Anton | Inbegriff der übernatürlichen Magie ('Epitome of supernatural magic') (1519)reprinted in J. Scheible, Das Kloster, Bd. 3, pp. 626-633. |
Honorius, Sworn Book of | Ed. Peterson, Lake Worth, Fl : Ibis Press, 2016. |
Iamblichus | On the Mysteries, part 2, and part 3. |
Key of Solomon | See Mathers. Also ad36674.htm. |
Levi, Eliphas, | Transcendental Magic (Dogma et Rituel de la Haute Magie). |
Mathers, S. L., | The Key of Solomon the King, Book 2, chapter 8 and passim. (London, George Redway. 1889.) |
MC: | Magical Calendar, ed. Adam McLean (Grand Rapids MI, Phanes, 1994). |
Meyer, Marvin, | Ancient Christian Magic (1999). |
Modi, Jivanji Jamshedji. | The Religious Ceremonies and Customs of the Parsees. Bombay: British Indian Press, 1922. |
Mora, Pierre, | Les Véritables Clavicules de Salomon, tr. par Pierre Mora, contenant un grand nombre de figures cabalistes, avec la manière de les faire suivant les principes de la science occulte des plus fameux nécromanciens qui ont vécu après Salomon, et où l'on trouvera les plus rares secrets. 153 pages. Paris, H. Daragon, 1914. |
Peterson, J. (editor, translator), | Secrets of Solomon: A Witch's Handbook from the trial records of the Venetian Inquisition (2018). |
Peterson, J. (editor), | Sixth and Seenth Books of Moses (2008) |
Scot, Reginald, | Discoverie of Witchcraft (London, 1584) |
Sibly, Ebenezer, | A New and Complete Illustration of the Occult Sciences, Book 4. (Bristol, 1704.) |
Sl. 3847: | London, British Library, Sloane manuscript 3847. |
Trithemius | (or pseudo-trithemius) his treatise on invoking angels into a crystal in F. Barrett, The Magus. |
Véronèse, Julien, | L'Almandal et l'Almadel latins au Moyen Âge, Firenze, Sismel: 2012 |
Waite, A.E. | Book of Ceremonial Magic |
Yates, William Butler, | Treasury of Irish Myth, Legend & Folklore (New York, Gramercy Books, 1986, p. 147.) |
Dijon is one of the oldest cities in France, and one of the most storied cities as well. The former home to the Dukes of Burgundy is now the capital of a well-established wine region, and is also home to world-renown cooking and food. Dijon, however, also has a more surreal side, with one of its oldest buildings, the Church of Notre-Dame of Dijon having not one, but two sculptures reputed to have magic or mystical powers. The first, the Notre-Dame de Bon-Espoir (Our Lady of Good Hope) is located in the church, and is one of the oldest, if not the oldest statues of the Virgin Mary in France, dating to around the eleventh or twelfth century. Over the centuries, many miracles have been attributed to the statute, which remains a popular pilgrimage point.
The second statute is located outside the church, and is approximately six feet off the ground and is a small (now somewhat melted) sculpture of an owl. While this type of sculpture may sound unassuming and common at first, it is important for innumerable reasons to the citizens of Dijon. The first reason it is is important is because the owl as a symbol is literally the symbol of the city. https://truevfil210.weebly.com/casino-bonus-blaster.html. The second reason is that this tiny owl is part of a mystery. While the Church of Notre Dame of Dijon was constructed in the thirteenth century, this owl was not part of the original structure. It appears that the Owl was added around the sixteenth century when a more modern portion of the church was constructed. Having said that, no one knows why it was added- or whom added the owl. While this may seem like a commonplace historical mystery - after all, in many cases, the original craftspeople of many structures have slipped through the cracks of history - this mystery takes on an added element given the reputation of this particular owl carving.
Although the origins of the myth are not known, what is known is that this owl carving is reputed to have magic powers. In particular, it is rumored that if one touches the Owl with their left hand and wishes, the wish will come true. Because of the immense popularity of the myth, and the length of time it has been around, the Owl has become weathered, worn, and now looking as I noted above, somewhat melted. Despite the Owl's erosion problems from the wear and tear of thousands of hands, the myth - and the rumors of magic persist.
Directions: The church is located at 2 Place Notre Dame, 21000 Dijon, France. The Owl is located on the North side of the church, about halfway along the length of the structure, and is near the cross street of Rue de la Chouette, which is a pedestrian walkway. Travelers to the city will be able to find the owl by first the crowd of people; and second, by the security cameras that are nearby it, as a party attempted to deface the Owl in 2001. One can visit the Owl at whatever time one wants throughout the year, and of course, can wish for what one wants as well.
Tips: Whether one believes in magic or not, or miracles or not, the Owl is a neat spot to stop and visit while walking through the streets of Dijon, and is part of the 'Owl Trail' which is a short walk through the city of historic spots that are marked out by Golden Triangles with owls inlaid upon them.